Aesthetic attention

Journal of Consciousness Studies 22 (5-6):96-118 (2014)
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Abstract

The aim of this paper is to give a new account of the way we exercise our attention in some paradigmatic cases of aesthetic experience. I treat aesthetic experience as a specific kind of experience and like in the case of other kinds of experiences, attention plays an important role in determining its phenomenal character. I argue that an important feature of at least some of our aesthetic experiences is that we exercise our attention in a specific, distributed, manner: our attention is focused on one perceptual object, but it is distributed among the various properties of this object. I argue that this way of exercising one’s attention is very different from the way we attend most of the time and it fits very well with some important features of paradigmatic examples of aesthetic experience.

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Bence Nanay
University of Antwerp

Citations of this work

The Value of Consciousness.Uriah Kriegel - 2019 - Analysis 79 (3):503-520.
Attention Is Amplification, Not Selection.Peter Fazekas & Bence Nanay - 2021 - British Journal for the Philosophy of Science 72 (1):299-324.
Attention.Christopher Mole - 2010 - Stanford Encyclopedia of Philosophy.
Shared Musical Experiences.Brandon Polite - 2019 - British Journal of Aesthetics 59 (4):429-447.

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