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A luz presente e ausente no cinema de João César Monteiro (1939-2003) interage com o olhar sensorial e mental, mergulha nos espelhos borgesianos e assoma à janela baudelairiana, visando o invisível e instaurando a união entre diversos mundos. Estruturada em torno desta ideia, o presente texto visa refletir sobre a natureza e o papel da luz na poética e na estética cesarianas
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