Repository landing page

We are not able to resolve this OAI Identifier to the repository landing page. If you are the repository manager for this record, please head to the Dashboard and adjust the settings.

Beyond unwanted sound : noise, affect and aesthetic moralism

Abstract

PhD ThesisThis thesis uses Baruch Spinoza’s notion of affect to critically rethink the correlation between noise, ‘unwantedness’ and ‘badness’. Against subject-oriented definitions, which understand noise to be constituted by a listener; and object-oriented definitions, which define noise as a type of sound; I focus on what it is that noise does. Using the relational philosophy of Michel Serres in combination with Spinoza’s philosophy of affects, I posit noise as a productive, transformative force and a necessary component of material relations. I consider the implications of this affective and relational model for two lineages: what I identify as a ‘conservative’ politics of silence, and a ‘transgressive’ politics of noise. The former is inherent to R. Murray Schafer’s ‘aesthetic moralism’, where noise is construed as ‘bad’ to silence’s ‘good’. Instead, I argue that noise’s ‘badness’ is secondary, relational and contingent. This ethico-affective understanding thus allows for silence that is felt to be destructive and noise that is pleasantly serendipitous. Noise’s positively productive capacity can be readily exemplified by the use of noise within music, whereby noise is used to create new sonic sensations. An ethicoaffective approach also allows for an affirmative (re)conceptualization of noise music, which moves away from rhetoric of failure, taboo and contradiction. In developing a relational, ethico-affective approach to noise, this thesis facilitates a number of key conceptual shifts. Firstly, it serves to de-centre the listening subject. According to this definition, noise does not need to be heard as unwanted in order to exist; indeed, it need not be heard at all. Secondly, this definition no longer constitutes noise according to a series of hierarchical dualisms. Consequently, the structural oppositions of noise/signal, noise/silence and noise/music are disrupted. Finally, noise is understood to be ubiquitous and foundational, rather than secondary and contingent: it is inescapable, unavoidable and necessary

Similar works

This paper was published in Newcastle University eTheses.

Having an issue?

Is data on this page outdated, violates copyrights or anything else? Report the problem now and we will take corresponding actions after reviewing your request.