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research
oaioai:works.swarthmore.edu:fac-japanese-1001

New Perceptions: Kinugasa Teinosuke\u27s Films And Japanese Modernism

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Publication date
1 April 2004
Publisher
Works
Doi

    Abstract

    This essay offers a reading of Kinugasa Teinosuke\u27s independent silent films as responses to the traumatic experience of twentieth-century modernity. Of particular interest are the global and local intertexts in A Page of Madness and Crossways, their connections to the literary criticism of the shinkankakuha, or New Perception school, and the centrality of sensory perception in Kinugasa\u27s work

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